"The set design was an engaging blend of imposing and ambitious much like the infernal machinations of the opera’s infamous Mephistopheles. ... Mephistopheles’ manipulating charm along with the imposing set seemed to doom the opera’s mortal characters, but in the end the show proved more than satisfying as the emotional power of Marguerite’s final song secured her salvation as Faust and Mephistopheles were forced to flee." - Allison Thaemlitz

THIS PRODUCTION WON THE 2017 GAMBIT BEST OF NEW ORLEANS AWARD FOR BEST OPERA