"Ryan McGettigan’s sets, with props by Lauren Davis, vary between the fully built, fully composed and well-detailed sets indicative of the forays into Sutter’s life and the others that involve maybe a set piece (like a bench or wedding arbor) and a projected backdrop. It’s the little things that go a long way in defining time, like the circa-1970s posters of Donna Summer, the Harlem Globetrotters and Diana Ross that appear on young Sutter’s walls, or the box of Mr. T Cereal right out of the ‘80s you spy in Sutter’s kitchen." - Houston Press